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Musical Rhetoric:
Selected Sources
| Beebee, Thomas O. | "Ballad of the Apocalypse: Another Look at Bob Dylan's 'Hard Rain'." Text & Performance Quarterly 11 (1991): 18-34. |
| Brown, Matthew P. | "Funk Music as Genre: Black Aesthetics, Apocalyptic Thinking and Urban Protest in Post-1965 African-American Pop." Cultural Studies 8 (1994): 484- . |
| Carter, David A. | "The Industrial Workers of the World and the Rhetoric of Song." Quarterly Journal of Speech 66 (1980): 365-375. |
| Cummings, Melbourne S., and Abhik Roy. | Manifestations of Afrocentricity in Rap Music. Howard Journal of Communications 13 (2002) 59-76. |
| Denisoff, R. Serge. | Sing a Sing of Social Significance. Bowling Green: Bowling Green State UP, 1983. |
| Denisoff, R. Serge, and Mark H. Levine. | "The Popular Protest Song: The Case of 'Eve Of Destruction'" Public Opinion Quarterly 35 (1971): 117-122. |
| Francesconi, Robert. | "Free Jazz and Black Nationalism: A Rhetoric of Musical Style." Critical Studies in Mass Communication 3 (1986): 36-49. |
| Gonzalez, Alberto, and John J. Makay. | "Rhetorical Ascription and the Gospel According To Dylan." Quarterly Journal of Speech 69 (1983): 1- . |
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Gregg, Richard B. |
"The Ego-Function of the Rhetoric of Protest." Philosophy & Rhetoric 4 (1971): 71–91. |
| Holmberg, Carl Bryan. | "Toward the Rhetoric of Music: Dixie." Southern Speech Communication Journal 51 (1985): |
| Irvine, James R., and Walter G. Kirkpatrick. | "The Musical Form in Rhetorical Exchange: Theoretical Considerations." Quarterly Journal of Speech 58 (1972): 272- . |
| Knupp, Ralph E. | "A Time for Every Purpose Under Heaven: Rhetorical Dimensions of Protest Music." Southern Speech Communication Journal 46 ( 1981): 377–389. |
| King, Stephen A. | "The Co-optation of a 'Revolution': Rastafari, Reggae, and the Rhetoric of Social Control." Howard Journal of Communications 10 (1999): . |
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Kosokoff, Stephen, and Carl W. Carmichael. |
"The Rhetoric of Protest: Song, Speech, and Attitude Change." Southern Speech Communication Journal 35 (1970): 295–302. |
| LeCoat, Gerard G. | "Music and the Three Appeals of Classical Rhetoric." Quarterly Journal of Speech 62 (1976): 157-166. |
| Lynch, Christopher. | "Ritual Transformation Through Michael Jackson's Music Video." Journal of Communication Inquiry 25 (2001): . |
| Makay, John J., and Alberto Gonzalez. | "Dylan's Biographical Rhetoric and the Myth of the Outlaw Hero." Southern Speech Communication Journal 52 (1987): . |
| Mohrmann, G. P, and F. Eugene Scott. | "Popular Music and World War II: The Rhetoric of Continuation." Quarterly Journal of Speech 62 (1976): 145-156. |
| Palmer, David L. | "Virtuosity as Rhetoric: Agency and Transformation in Paganini's Mastery of the Violin." Quarterly Journal of Speech 84 (1998): 341-357. |
| Sanger, Kerran L. | "Functions of Freedom Singing in the Civil Rights Movement: The Activists' Implicit Rhetorical Theory." Howard Journal of Communications 8 (1997): 179-195. |
| Sellnow, Deanna D. | "Music as Persuasion: Refuting Hegemonic Masculinity in 'He Thinks He'll Keep Her'."Women's Studies in Communication 22 (1999): 66-84. |
| Sellnow, Deanna, and Timothy Sellnow. | "The 'Illusion of Life' Rhetorical Perspective: An Integrated Approach to the Study of Music as Communication." Critical Studies in Media Communication 18 (2001): 395-415. |
| Theodore, Matula. | "Contextualizing Musical Rhetoric: A Critical Reading Of The Pixies' 'Rock Music'." Communication Studies 51 (2000): 218-237. |
| Zolten, J. Jerome. | "Media-Driven Evolution of the African American Hard Gospel Style as a Rhetorical Response to Hard Times." Howard Journal of Communications 7 (1996): 185- . |