Wake Forest University, Winston-Salem, NC, April 3-6, 2003
REGISTRATION FORM
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PHONE
(home) __________________________ (office) ________________________
E-MAIL
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1. Registration fee if postmarked by March 8: $45 regular, $25 student if postmarked after March 8: $60 regular, $30 student |
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2. Organ tour with Jack Mitchener, Thursday, April 3, 2:00-5:00, $5/person |
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3. Concert: Red Priest (British Early Music Ensemble), 8:00 PM Thursday 3 April – limited seating. All ticket orders postmarked by March 8, $12; after March 8, $20 regular / $15 sr. (60+) or student). |
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4. Meal package, $35/person. Includes the three meals listed below, which may be purchased separately. Does not include Fri. dinner or Sat. banquet. |
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a. Dinner buffet, Thursday April 3, $17/person (includes service charge and wine; vegetarian entree available.) |
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b. Lunch buffet, Friday April 4, $12/person (all-inclusive) |
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c. Lunch, Saturday April 5, Old Salem Tavern, $10/person (all-inclusive). Please check preference: Moravian chicken pie _____ Vegetarian quiche & salad ____ |
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7. Banquet, Saturday, April 5: please indicate choice below (price incl. service charge, wine, dessert, etc.): |
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a. Beef/duck duo, $36/person |
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b. Salmon, $36/person |
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c. Vegetarian (black bean cakes), $22/person |
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TOTAL (amount enclosed) |
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PLEASE NOTE: Your check or money order, payable to Wake Forest University, must accompany this registration form. No credit cards accepted. We cannot guarantee meal reservations received after Mar. 19. Send registration forms to:
SSCM 2003
WFU Dept. of Music
P.O. Box 7345 Reynolda Station
Winston-Salem, NC 27109
You will receive a receipt when you pick up your registration materials. For further information, contact Stewart Carter, e-mail carter@wfu.edu.
PROGRAM INFORMATION: The conference begins Thursday, April 3, with an organ tour at 2:00 PM, dinner buffet at 5:45 PM, pre-concert talk at 7:10 PM, and concert at 8:00 PM. See SSCM’s Newsletter for details. Information is also posted on the web; go to www.wfu.edu/music and look for the link to SSCM 2003.
ACCOMMODATIONS:
A block of rooms has been reserved in the Ramada Plaza Inn, 3050 University Parkway, Winston-Salem, NC 27105 (tel. 336-723-2911). The conference rate is $85/night, single or double. The Ramada Plaza will provide limited shuttle service to and from Greensboro’s Piedmont Triad Airport for their guests (see below), and will also provide limited shuttle service to and from the Scales Fine Arts Center on the Wake Forest campus (about 1.5 miles away).
GETTING
THERE:
By air: The most convenient airport is the Greensboro’s Piedmont Triad Airport, between Winston-Salem and Greensboro, NC, about 22 miles from the Wake Forest campus. This airport is served by USAirways, United, American, Delta, Northwest, Continental, and AirTrans. The Ramada Plaza Inn will provide limited shuttle service to and from the airport for their guests. Arrange for shuttle service with the hotel when you make your reservation (tel. 336-723-2911). For those who will rent cars, airfares are sometimes cheaper when flying into Charlotte International (85 miles away) or Raleigh-Durham Airport (100 miles away).
By rail: Amtrak serves Greensboro, NC, approx. 25 miles to the east of Winston-
Salem. Infrequent “connector” (bus) service is available. For information, contact Amtrak at 1-800-USA-RAIL.
Directions to the Wake Forest campus via auto:
From the east, west, or
south, take I-40 to Business 40 to Exit 2 at the western edge of Winston-Salem.
Take Silas Creek Parkway north. Pass through the first stoplight. About 1.8
miles past this light, the road makes a Y. Take the right-hand fork of the Y,
proceed through the next stoplight (Reynolda Road) and enter the Wake Forest
campus. After entering the campus, take the first left (Allen Easley St.), then
the first right, into Parking Lot Q, behind Scales Fine Arts Center. From the north, take US 52 to the
University Parkway exit (Exit 115) and head south for approx. 2.5 miles. Exit
to the right (sign says “Polo Road”). Proceed through the first traffic light
(Polo Rd.) and enter the Wake Forest campus. Take the first right (Carroll
Weathers Rd.) and then the first left into Parking Lot Q behind Scales Fine
Arts Center. The Fine Arts Center is at the opposite (lower) end of the parking
lot. For a downloadable map, go to http://www.wfu.edu/visitors/directions.
Parking is free; obtain a parking
pass when you register at Wake Forest. Parking pass not necessary on Saturday
or Sunday.
Directions to the Ramada Plaza Inn via auto:
From the east, west, or south, take I-40 to Business 40 to Exit 5C in downtown Winston-Salem. (Follow the signs carefully.) Take Cherry St. north, through the downtown business area. Once through the downtown area, the name of the street changes to University Parkway. Continue north for approx. 2.8 miles (from Business 40). The Ramada Plaza is on your left, just past Lawrence Joel Coliseum (which is on the right). To enter the hotel from northbound University Parkway, you must proceed to the first stoplight past the hotel and make a U-turn. From the north, take US 52 to the University Parkway exit (Exit 115) and head south for approx. 3.5 miles. The Ramada Plaza is on your right, approx. one-half mile past the entrance to Wake Forest University.
Eleventh Annual Conference
Wake Forest University
Winston-Salem, North Carolina
April 3-6, 2003
Preliminary Schedule and
Program (subject to change)
THURSDAY, APRIL 3
2:00-5:00 Winston-Salem organ tour, led by Jack Mitchener. Transportation leaves from Ramada Plaza Inn. Make reservations in advance, with registration. Includes: 1) Ardmore United Methodist Church: Noack organ (2 manuals, 24 stops); 2) Salem College: Flentrop (3 manuals, 26 stops); 3) Old Salem, Saal of Single Brothers House: Tannenberg (constructed 1798); 1 manual, 5 stops); 4) North Carolina School of the Arts: Fisk (3 manuals, 35 stops). Participants will have the opportunity to play these organs briefly.
5:30-7:45 Registration. Scales Fine Arts Center, music wing, 2nd floor lobby
5:45-7:00 Buffet dinner. M208 Scales Fine Arts Center. Reservations must be made in advance, with registration.
7:10 Pre-concert lecture, Eleanor
McCrickard. M306 Scales Fine Arts Center.
8:00 Concert: Red Priest, British early-music ensemble, Brendle Recital Hall, Scales Fine Arts Center. Limited seating; reserve tickets in advance, with registration.
FRIDAY, APRIL 4
8:15-9:00 Editorial Board Meeting, Web Library of Seventeenth-Century
Music. M307 Scales Fine Arts Center.
8:30-9:00 Coffee
& pastries. M208 Scales Fine Arts Center.
8:30-11:00 Registration. M208 Scales Fine Arts Center.
9:00-12:00 Session I Overture: Seventeenth-Century Music
Across the Disciplines. M208 Scales Fine Arts Center
Chair: Andrew Walkling (State University of New York at Binghamton)
Barbara R. Hanning (The City College and Graduate Center, City University of New York)
Gregory S. Johnston (University of Toronto)
Tushaar Power (Durham, North Carolina)
“Subordination to a Higher Order”: Johannes Kepler, Andreas Werckmeister and the Divine Proportion
Joyce Lindorff (Temple University)
12:15 Catered Lunch and Informal Business Meeting. Reynolda Hall, Oak Room.
2:00-5:15 Session II Musical Rhetoric and Aesthetics. M208 Scales Fine Arts Center.
Chair: David Fuller (Professor Emeritus, State University of New York
at Buffalo)
Jette Barnholdt Hansen (University of Copenhagen)
Stile recitativo as Adequate Interpretation and Fixed Orality: A Rhetorical Approach to a Musical Style
Jamie G. Weaver (University of Oregon)
“The Persuasive Difference”: Acknowledging Diversity in Rhetorical Approaches
Jonathan B. Gibson (Duke University)
“The Cries of Nature in Mourning”: Temporality and Aesthetics in Marais’s Elegy for Lully
Vivian Montgomery (Case Western Reserve University)
Time Suspended: Unmeasured Prelude Notation as an Aesthetic Emblem
(Lecture-Recital)
8:00 Concert: Daniel Bollius, Repraesentatio Harmonica Conceptionis & Nativitatis S. Ioannis Baptista (ca. 1620). Wake Forest University Concert Choir, directed by Brian Gorelick, with guest soloists and instrumentalists. Brendle Recital Hall, Scales Fine Arts Center. Admission free.
9:30 (or immediately following the concert) Reception for SSCM members, followed by open rehearsal for Saturday’s Vespers service. M208 Scales Fine Arts Center.
SATURDAY, APRIL 5
8:30-9:00 Coffee & pastries, M208 Scales Fine Arts
Center
9:00-12:45 Session III Music in the Theater. M208 Scales Fine Arts Center.
Chair: Lois Rosow (Ohio State University)
James Leve (Northern Arizona University)
Gl’inganni amorosi scoperti in villa (1696): A Comic Opera in Bolognese Dialect
Hendrik Schulze (Institut für Musikwissenschaft, Salzburg)
The Figure of Ulysses in Giacomo Badoaro and Claudio Monteverdi’s Il ritorno d’Ulisse in patria (1640)
Geoffrey Burgess (Duke University)
“Un Vestibule éclatant”: The Prologue to Lully and Quinault’s Atys
John S. Powell (University of Tulsa)
Musical Practices at the Théâtre de Guénégaud and the Comédie-Française, after Evidence in the Autograph Manuscripts of Charpentier
Kathryn Lowerre (Michigan State University)
Making Opera English: John Dennis’s Rinaldo and Armida (1698)
12:45 Transportation
to Old Salem Tavern.
1:15 Lunch at Old Salem Tavern. Reservation must be made in advance, with registration.
1:15 Meeting of Editorial Board, Journal of Seventeenth-Century Music. Private Room, Old Salem Tavern.
3:00-3:30 Guest Lecture. Moravian Music Foundation.
Nola Reed Knouse (The Moravian Music Foundation)
An Introduction to the Moravian Music Foundation and its Holdings
3:35-6:00 Session
IV Heinrich Schütz and his Circle.
Moravian Music Foundation.
Chair: Joshua Rifkin (The
Bach Ensemble)
Keith Chapin (Fordham University)
Human Work with Divine Material: A Work Concept in the Theory of Christoph Bernhard
Eva Linfield (Colby College)
Alchemy, Androgyny, and Music: A Rare Fusion in the Seventeenth Century
Wolfram Steude (Professor Emeritus, Hochschule für Musik “Carl Maria von Weber,” Dresden)
Heinrich Schütz as a Representative of Music in the Art of the “German Renaissance”
6:30-7:30 Vespers in Dresden during the Thirty Years’ War. Home Moravian Church, Old Salem. (All those in attendance are invited to participate.)
7:40 Transportation
to Wake Forest
8:00 Banquet. Magnolia Room, Reynolda Hall, Wake Forest campus. Reservation must be made in advance, with registration.
8:30-9:00 Coffee & pastries. M208 Scales Fine Arts Center.
9:00-12:00 Session V Music and the Body: Dance, Madness, and the Grotesque. M208 Scales Fine Arts Center.
Chair: Carol
Marsh (University of North Carolina, Greensboro).
Jennifer Nevile (University of New South Wales)
Early Seventeenth-Century Dance Figures: “Moving Script” in English and French Court Festivals
Maria Anne Purciello (Princeton University)
Dancing Madmen: Comedy and Madness in Venetian Balli
Rose A. Pruiksma (Bates College)
“Musique Grotesque,” Ballet de Cour and Italians in Paris
Amanda Eubanks Winkler (Syracuse University)
Rustic Unruliness: The Musical Witch on the Early Modern English Stage