WHERE IS IT ALL GOING?
WHERE DID IT ALL COME FROM?
7 minutes, color animation, silent, 1970
Jury award, 1st San Francisco  Erotic Film Festival, 1970.
Distributed by Canyon Cinema, San Francisco.

THE SECRETE OF LIFE
15 minutes, color animation, sound, 1971
Award: Yale Film Festival, 1972
Distributed by Canyon Cinema, San Francisco.

FILET OF SOUL
16 minutes, color animation, sound, 1972
Award: Bijou Film Festival, Chaicago, 1974
Distributed by Canyon Cinema, San Francisco.

SHAMELESS
14 minutes, color animation, sound, 1974
Film Study Collection, Museum of Modern Art, NYC
Distributed by Canyon Cinema, San Francisco.
 

Other Films

SEARCH FOR TOMORROW
3 minutes, B&W, sound, 1970
Visual tension filmed in the wild.
Out of distribution.

CONFESSION
3 minutes, B&W, sound, 1970
Documentary style examination of murder fantasy.
Out of distribution.

MR. SANDMAN
2 minutes, B&W, sound, 1973
Animated drawing on desert landscape.
Lake Pyramid, Nevada.
Out of distribution.

EXERCISE
14 minutes, B&W, silent, 1975
Rephotography animation and surface alteration of found and original 16mm film that seeks to visually define �redundancy of spirit�.
Out of distribution.

SWEET AND SOUR
12 minutes, color rephotography animation, silent, 1976
Award: Ann Arbor Film Festival, 1977
Distributed by Canyon Cinema, San Francisco.

�The �sour� part--police footage documenting the corpse of an accident victim--is made ironically palatable by the addition of masks that block out the most gruesome part of the frame, while pieces of �sweet� bits of old home movies are enriched by handcoloring and looping. These two contrasting flavors alternate with each other towards an ambiguous and elusive effect; the amusing material grows funnier, the gruesome scenes more meditative.� 

Ron Epple, Filmmakers� Newsletter, 1977

BOOK OF DEAD
15 minutes, color rephotography animation, silent, 1978
Award: Ann Arbor Film Festival, 1979
Distributed by Canyon Cinema, San Francisco.

�Faccinto�s films emanate auras like Kirlian photography. By ruthlessly probing his own fantasies and obsessions, the filmmaker reflects some of the outrage and horror of the world we live in.� 

Linda Gross,  Los Angeles Times, Movie Review, Sept. 30, 1978