"And Now Playing in Madrid: Fall 2004). Western European Stages 17.2 (2005):
"Sábado corto by Héctor Quintero: Laughing in Havana". Gestos 39 (2005): 187-190.
"Solas and the Unbearable Condition of Loneliness
in the Late 1990s. Spanish Popular Cinema. Eds. Antonio Lazaro Reboll and Andrew
Willis. Manchester University Press, Manchester, England, 2004. 222-36.
"Notes on Recent Cuban Theatre (2002-04)" Latin American Theatre Review 38.1 (2004): 157-64.
"February in Madrid: Contemporary Politics and Theatre" (co-authored with Cynthia Gendrich). PAJ. A Journal of Performance and Art 76.1 (2004): 71-80.
"Lt. Ripley's Techno-Amazon Body in Alien: Resurrection". Journal of the Blue Ridge International Conference on the Humanities and the Arts. Spring 1-2 (2003): 140-48.
"The Alternative Theatre Festivals in Madrid, Spring 2003: Stages of Experience and Innovation". Western European Stages15.2 (2003): 5-10. (co-authored with Cynthia Gendrich)
"Structuring the Discursive Context of the Feminist Voice in Pullus, el resplandor del lomo en las liebres huidizas". Estreno 29.1 (2003): 31-36.
"Tragedia de la inmigración". Teatra 14-15 (2002): 206.
"Paloma Pedrero". Major Spanish Dramatists: A Bio-Critical Guide to the History of the Spanish Theater. Ed. Mary Parker. Westport, CT: Greenwood Press, 2002. 337-47.
"Fermín Cabal". Major Spanish Dramatists: A Bio-Critical Guide to the History of the Spanish Theater. Ed. Mary Parker. Westport, CT: Greenwood Press, 2002. 113-122.
"To Begin Again: Madrid Stages 1998-2000". Western European Stages 13.2 (2001): 4-10.
"Juan Carlos Pérez de la Fuente y el Centro Dramático Nacional de Madrid". Gestos 15.30 (2000): 146-50.
"Memories of Francisco Franco at the Close of the Century: Las manos by Yolanda Pallín, José Ramón Fernández, and Javier García Yagüe". Western European Stages 11.3 (1999): 113-15.
"Gendered Spaces in Two Dramatic Works by Valle-Inclán: Cenizas and El yermo de las almas". Nuevas perspectivas sobre el '98. Madrid: Iberoamericana, 1999. 261-69.
"Agonía: A Parable of Violence and Sacrifice on the Eve of the Twenty-First Century". Entre Actos: Diálogos sobre teatro español entre siglos. Eds. Martha T. Halsey and Phyllis Zatlin. University Park: Estreno, 1999. 165-71.
"Sex and Politics in the Theater of Alfonso Armada". Western European Stages 10.3 (1998): 101-106.
"Re-Writing/Re-Presenting Textual/Sexual Roles in Twentieth-Century Female-Authored Spanish Drama". Un escenario propio/ A Stage of Their Own (Actas Selectas). Eds. Phyllis Zatlin and Kirsten Nigro. Ottawa: Girol, 1998. 27-35.
"El drama español del siglo XX: Bibliografía selecta del año 1997". Co-researched with Mariano de Paco of the Universidad de Murcia. Estreno. 25.1 (1998): 54-63.
"The Censorship of Social and Personal Violence in Lista Negra by Yolanda Pallín". Co-authored with Barbara Buedel. Western European Stages. 10.3 (1998): 95-98.
"Agonía and Sueños de Ginebra: Spanish Alternative Theatre at the End of the Twentieth Century." Anales de la Literatura Española Contemporánea 23.3 (1998): 733-49.
"Andalusian Theatre." Western European Stages. 9.2 (1997): 29-33.
"Body, Sex, Woman: The Struggle for Autonomy in Paloma Pedrero's Theater." LA CHISPA '97. Selected Proceedings. Ed. Claire J. Paolini. New Orleans: Tulane University, 1997: 245-54.
"La Cubanía: The Soul of Cuban Theater in the Mid-1990s." Latin American Theatre Review 30.2 (1997): 139-52.
"Diversity in Contemporary Spanish Theatre: Three Directors." Western European Stages 9.1 (1997): 33-37.
"Role-Playing in Concha Romero's Un maldito beso." Estreno 20.2 (1994): 15-17.
"Los niveles de ficción en Un maldito beso de Concha Romero." Proceedings: De lo particular a lo universal: El teatro español del siglo xx y su contexto. Ed. John P. Gabriele. Frankfurt am Main: Vervuert Verlagsgeselischaft, 1994. 188-195.
"Women Writers and Their Characters in Spanish Drama in the 1980s." Anales de la Literatura Española Contemporánea 17.1-2 (1992): 243-56.
"Perspectivas sobre el teatro español a los quince años de la democracia." Anales de la Literatura Española Contemporánea 15 (1990): 253-273.
"New Dimensions in Post-Franco Theatre: José Luis Alonso de Santos." Selected Proceedings from the Thirty-Fourth Annual Mountain Interstate Foreign Language Conference. East Tennessee State University, 1986: 289-295.
"Dragún's Distancing Techniques in Historias para ser contadas and El amasijo." Latin American Theatre Review 16.2 (1983): 37-42.