Wednesday, April 14, 2004 12:00AM EDT
Music industry in uproar over UNC research
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KOLEMAN S. STRUMPF | |||
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By JONATHAN B. COX, Staff
Writer
Koleman Strumpf, associate professor of economics at UNC-Chapel Hill,
finished a paper last month that was sure to bore.
The title, "The Effect of File Sharing on Record Sales: An Empirical
Analysis," was enough to send laymen scampering. The mathematical formulas,
tables and appendices would lure only other academics, he figured.
He was wrong.
The paper lit the fuse on a volatile topic, music downloading, and touched
off a firestorm of controversy. Strumpf, 35, and a Harvard University colleague
concluded that online file sharing doesn't hurt music sales, contrary to
contentions of the nation's recording industry executives.
The industry's trade group began a counteroffensive, blasting the paper as
incomplete and flawed. National news organizations, including The New York
Times, wrote stories about the study. Strumpf received hundreds of phone calls
and e-mail notes. Countless Web users and music fans posted their views online.
"I wouldn't have guessed anything at all like this" Strumpf said of the
response. "Being a Monday-morning quarterback, I can understand because people
are very passionate about this."
The Recording Industry Association of America has long bemoaned declining
sales, which it blames on illegal downloading. According to the association, the
industry shipped almost a third fewer units in 2003 than in 1999. The industry
is suing consumers to stop the free downloads.
"If illegal downloading is not the cause of the precipitous decline in sales
of recordings, what is?" asks a six-page paper the recording industry group
released in response to the study by Strumpf and Harvard's Felix Oberholzer-Gee.
"The results are inconsistent with virtually every other study."
There could be many causes for the decline, Strumpf said. The economy is
weaker. More entertainment choices might be drawing consumer dollars. Radio
consolidation has reduced variety.
He says the industry's response amounts to, " 'We have 20 studies, they have
one.' If 20 or 100 or 1,000 people say the sun revolves around the earth, it
doesn't make it so."
Two years ago, Strumpf and Oberholzer-Gee set out to research the matter.
Strumpf's interest was piqued by the Napster trial, where the recording industry
alleged copyright violations that led to the demise of the pioneering Web site
in 2001. In the testimony, experts argued that music downloads had to be the
cause of slumping sales.
Strumpf read the studies they cited. They were horrible, he said.
"I was like, 'Boy, this is pretty amazing,' " said Strumpf, a Philadelphia
native. "Nobody has done a serious study."
Plus, Strumpf had a personal interest in the topic. He owns several hundred
CDs and a 20-gigabyte digital music player that is almost full. He tells
visitors seeking his office to simply listen for the music.
Instead of relying on user surveys, as other studies have done, Strumpf and
Oberholzer-Gee got logs for two computers servers belonging to OpenNap, a
file-sharing community. They were able to see what files users searched for and
which ones they downloaded over a 17-week period in late 2002. They compared
that activity with sales numbers from Nielsen Soundscan, which tracks music
purchases.
By the recording industry's logic, sales of popular albums should decline as
song downloads increase. That wasn't supported by the researchers' findings.
The pair concluded that file sharing doesn't hurt sales because those who do
it wouldn't buy music anyway, Strumpf said. For the most part, those who
download music don't have much money.
While they might download 20 CDs' worth of music, they wouldn't have bought
20 CDs, he said. "At most, file sharing can explain a tiny fraction" of the
decline in music sales, the professors' paper said.
Of the phone calls and e-mail he has received, Strumpf says about two-thirds
favor the findings. When he surfs the Web in search of comments on the paper,
about half support the results.
Those who disagree, however, are equally vocal. Some people have told Strumpf
he is stupid or killing their business. He's satisfied to have the dialogue.
"It's good to see people thinking a little more carefully," said Strumpf, who
doesn't typically download tunes.
But some of the attention is flattering. Mark Cuban, the billionaire owner of
the Dallas Mavericks who cemented his fortune with a site that pioneered online
broadcasts, wrote saying he was glad the paper confirmed views that he has long
espoused. Harry Shearer, a comedian and the voice of Monty Burns on "The
Simpsons," mentioned Strumpf recently on National Public Radio.
But Strumpf concedes that the paper might not be perfect. It was released so
the two researchers could get feedback and make tweaks before it it is published
in a journal, a process that could take years. It gained attention after it was
posted on Web logs and floated by some in the recording industry.
And no matter the ultimate fate, the industry should take note, Strumpf said.
"There are huge numbers of people who think the record industry is trying to
pull the wool over their eyes," he said. "These are their customers, and I would
be awful concerned."
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