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Film Industry Vows Crackdown on Online Movie Thieves
Sarah McbrideWall Street Journal(Eastern edition). New York, N.Y.: Nov 5, 2004. pg. B.1
Author(s): Sarah Mcbride
Publication title: Wall Street Journal. (Eastern edition). New York, N.Y.: Nov 5, 2004.  pg. B.1
Source Type: Newspaper
ISSN/ISBN: 00999660
ProQuest document ID: 730557501
Text Word Count 1013
Article URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_ dat=xri:pqd&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&genre=a rticle&rft_dat=xri:pqd:did=000000730557501&svc_dat=xri:pqil: fmt=text&req_dat=xri:pqil:pq_clntid=15094
Abstract (Article Summary)

The better measure of the lawsuits' success may simply be the number of consumers who now know it's illegal to download most music without charge. "It was the case a year or two ago that most people could say, 'I didn't know I was doing anything wrong,' " says Eric Garland, chief executive of BigChampagne. Now, he says, there is "a dawning awareness on the part of most of us that there's an industry here that's struggling, that's fighting for its life."

The record industry "paved the way for us, there's no question about it," says Dan Glickman, the MPAA's head. "We've followed, the entire period of time, their [public relations] strategies, their legal strategy, how they deal with young people."

Pirates Picks

Top movies available for download over peer-to-peer networks and other
Internet channels* in October:

MOVIE STUDIO UNIQUE COPIES

The Terminal Dreamworks 40,415
Alien vs. Predator Fox 35,842
Collateral Paramount Pictures 35,452
Hellboy Sony Pictures 33,455
Van Helsing Universal 32,933
Spider-Man 2 Sony Pictures 32,418

* Excludes legal downloads

Source: BayTSP

Full Text (1013   words)
Copyright (c) 2004, Dow Jones & Company Inc. Reproduced with permission of copyright owner. Further reproduction or distribution is prohibited without permission.

LAWSUITS AGAINST individual music pirates have done little to stop music fans stealing songs over the Internet. But as the movie industry begins a legal campaign of its own to snuff out online film-swapping before it becomes rampant, it may have better luck.

The Motion Picture Association of America said yesterday that its members plan to begin filing copyright-infringement suits against individuals who trade illegal digital copies of movies online. The music industry has filed thousands of such suits in the past year, with mixed results. But timing, circumstances and the complicated nature of trading movies online may give Hollywood better odds.

For starters, the new campaign is being launched while movie downloading is in its infancy, whereas the music industry waited until online song swapping became an ingrained habit among millions of Americans. Movie sharing, while becoming increasingly popular, still represents less than 2% of all online file sharing, compared with 60% for music and other audio files, according to BigChampagne LLC, a company that tracks illegal file sharing.

"The studios have a little bit of a head start," says Christopher Ruhland, a copyright lawyer with Orrick, Herrington & Sutcliffe LLP in Los Angeles, and a former in-house lawyer at Walt Disney Co. "By taking action now, [they] have a better chance in making a real dent in the problem."

One reason movie piracy hasn't yet taken off is the huge size of digital movie files. Even after compressing a movie file so it can move faster around the Internet, it still takes up about 700 megabytes. A user could download hundreds of songs during the hours it would take to download a single movie on a regular dial-up Internet connection.

But increasing numbers of Americans are getting high-speed Internet connections, cutting an all-night movie download down to a couple of hours or less. And several products hitting the market make it much easier to connect a computer to a TV, like Sony Corp.'s RoomLink or Microsoft Corp.'s Windows Media Connect software. Downloading movies that can quickly and conveniently be shown on their televisions rather than a computer monitor might prove very tempting to many Americans -- especially if they suffered no legal consequences as a result.

Now, the MPAA is making its position plain in hopes of deterring behavior before consumers give in to temptation. "If you're involved in the trafficking of illegal files, you're subject to suit," says Simon Barsky, general counsel for the MPAA.

The MPAA members also will be able to move much faster than their colleagues at record companies, whose suits initially faced setbacks as Internet-service providers contested the subpoena process they were using. Now, the studios know exactly which methods will pass muster in court.

Yet the effect of such lawsuits on music downloading is open to debate. Total music sales have been rising after three years of decline, but the growth is small -- about 6% so far this year. The lawsuits likely contributed to the rebound, but falling CD prices and more appealing offerings from the labels were big drivers, too. Online sales are rising fast, but still represent less than 2% of all music sales.

The better measure of the lawsuits' success may simply be the number of consumers who now know it's illegal to download most music without charge. "It was the case a year or two ago that most people could say, 'I didn't know I was doing anything wrong,' " says Eric Garland, chief executive of BigChampagne. Now, he says, there is "a dawning awareness on the part of most of us that there's an industry here that's struggling, that's fighting for its life."

The record industry "paved the way for us, there's no question about it," says Dan Glickman, the MPAA's head. "We've followed, the entire period of time, their [public relations] strategies, their legal strategy, how they deal with young people."

Another boon for the studios is that their campaign comes at a time when the public generally feels positive about going to the movies and buying DVDs. By contrast, many music fans got into illegal downloading as a way to avoid paying $15 for an album that contained just one or two songs they wanted.

"The deal between you and Hollywood is pretty good," says BigChampagne's Mr. Garland. "The deal between you and the music industry has been pretty lousy for a long time."

When music piracy took off at the end of 1999, people who wanted to buy music online legally had few alternatives, largely because of the record companies' resistance to selling songs piecemeal instead of in complete albums. It would be two years before services like MusicNet and pressplay were announced;

Apple Computer Inc. didn't launch its iTunes music store until two years after that. But movie studios can steer online movie fans to several legal alternatives, including MovieLink and CinemaNow, so viewers could get in the habit of paying for downloaded movies early.

For people with no compunctions about theft, however, the lawsuits will probably have little effect. Koleman Strumpf, an associate professor of economics who studies file sharing at the University of North Carolina, Chapel Hill, points to newer versions of file-sharing software that make it harder to track the person who is uploading a file. One, BitTorrent, breaks files into pieces, so different parts of a movie may come from many different users. In addition, Prof. Strumpf points out many users are based overseas, making it hard to prosecute them.

But the MPAA says that as quickly as file sharers refine their techniques, so will its members. "This is a bit of a cat-and-mouse game," says John Malcolm, who directs world-wide antipiracy efforts for the MPAA. "We are working equally hard to stay one step ahead of them."

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Pirates Picks

Top movies available for download over peer-to-peer networks and other
Internet channels* in October:

MOVIE STUDIO UNIQUE COPIES

The Terminal Dreamworks 40,415
Alien vs. Predator Fox 35,842
Collateral Paramount Pictures 35,452
Hellboy Sony Pictures 33,455
Van Helsing Universal 32,933
Spider-Man 2 Sony Pictures 32,418

* Excludes legal downloads

Source: BayTSP

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