HORACE / QUINTUS HORATIUS FLACCUS
ARS POETICA 73-98
|
[epic] |
METER AND SUBJECT |
|
Res gestae regumque ducumque et tristia bella |
Histories of kings and generals, dreadful wars: |
|
quo scribi possent numero, monstravit Homerus. |
it was Homer who showed in what metre these could be |
|
[elegy] |
narrated. |
|
versibus impariter iuctis querimonia primum, 75 |
Lines unequally yoked in pairs formed the setting first |
|
post etiam inclusa est voti sententia compos; |
for lamentations, then for the expression of a vow |
|
quis tamen exiguos elegos emiserit auctor, |
fulfilled; though who first sent these tiny 'elegies' into |
|
grammatici certant et adhuc sub iudice lis est. |
the world is a grammarians' quarrel and still sub judice. |
|
[iambos] |
|
|
Archilochum proprio rabies armavit iambo: |
Madness armed Archilochus with its own iambus; |
|
[drama] |
|
|
hunc socci cepere pedem grandesque coturni 80 |
that too was the foot that the comic sock and tragic |
|
alternis aptum sermonibus et popularis |
buskin held, because it was suitable for dialogue, able to |
|
vincentem strepitus et natum rebus agendis. |
subdue the shouts of the mob, and intended by nature |
|
[lyric] |
for a life of action. |
|
musa dedit fidibus divos puerosque deorum |
To the lyre, the Muse granted the celebration of gods |
|
et pugilem victorem et equum certamine primum |
and the children of gods, victorious boxers, winning |
|
et iuvenum curas et libera vina referre. 85 |
race-horses, young men's love, and generous wine. |
|
descriptas servare vices operumque colores |
If I have neither the ability nor the knowledge to keep |
|
cur ego si nequeo ignoroque poeta salutor? |
the duly assigned functions and tones of literature, |
|
cur nescire pudens prave quam discere malo? |
why am I hailed as a poet? Why do I prefer to be |
|
ignorant than learn, out of sheer false shame? |
|
|
[tragedy, comedy] |
|
|
versibus exponi tragicis res comica non volt; |
A comic subject will not be set out in tragic verse; |
|
indignatur item privatis ac prope socco 90 |
tragic verse; likewise, the Banquet of Thyestes disdains |
|
dignis carminibus narrari cena Thyestae. |
being told in poetry of the private kind, that borders on |
|
singula quaeque locum teneant sortita decentem. |
the comic stage. Everything must keep the appropriate |
|
place to which it was allotted. |
|
|
interdum tamen et vocem Comoedia tollit, |
Nevertheless, comedy does sometimes raise her voice, |
|
iratusque Chremes tumido delitigat ore; |
and angry Chremes perorates with swelling eloquence. |
|
et tragicus plerumque dolet sermone pedestri 95 |
Often too Telephus and Peleus in tragedy lament in |
|
Telephus et Peleus, cum pauper et exsul uterque |
prosaic language, when they are both poor exiles |
|
proicit ampullas et sesquipedalia verba, |
and throw away their bombast and words half a yard |
|
si curat cor spectantis tetigisse querella. |
long, if they are anxious to touch the spectator's heart |
|
with their complaint. |
|
|
(tr. Winterbottom) |